Chapter 179 A Literary Gathering

I found the most marvelous literary paper dolls while looking for something else on Google today. Each charming doll is produced on a folio page and signed by the artist. There are all sorts of dolls — literary and historical characters and high fashion characters. Each has an elaborately illustrated wardrobe. I have no real need for these, and I’ve never really been interested in dolls. But these are wonderful.  I just like them.

A lot.

Imagine the literary gatherings one could have: Mr. Darcy takes Becky Sharp to tea. Jo March and Tom Sawyer take a road trip. Emily Dickinson is perhaps the least favorite, because her wardrobe is limited: she keeps wearing the same white dress. Perhaps she can get a makeover from Scarlett O’Hara. ;)

From the website, about the artist:

DONALD HENDRICKS is an artist specializing in high fashion, beauty and lingerie. He studied at the Art Student’s League in New York. Among his clients were Vassarette, Olga, Max Factor, Lady Schick, and Redken. He illustrated many books, including The International Beauty Book, International Hair Design and Leslie Blanchard’s Hair-Coloring Book. His drawings appeared in the advertising and/or editorial pages of such magazines as Vogue, Harper’s Bazaar, Seventeen, Cosmopolitan, and Hairdo & Beauty. His retail accounts dealt with the likes of Mary McFadden, Halston, and Galanos, whose gowns he used in the Fashion Illustration classes he taught at Riverside Art Museum.

Published in: on May 8, 2008 at 7:32 pm Comments (0)

Chapter 175 A Few Books Whose Covers I Like, Or, My Weekend Was Too Busy for Words

Published in: on May 4, 2008 at 10:01 pm Comments (1)

Chapter 174 Friday Fun

I’m looking forward to Friday. I’ll be meeting up with Mr. Z to go book hunting in the East Bay — a final search for new stock before I exhibit at the Gold Rush Book Fair in Grass Valley on May 17. If you’re anywhere near Grass Valley, CA (about one hour west of Lake Tahoe) on May 17, I highly recommend stopping by this small, regional fair held in an historic Gold Rush town filled with bookstores. The fair’s motto is, “It’s like browsing in a great old bookshop.” Is there anything better?

Actually, yes, there is: Browsing in many bookshops simultaneously, which, with the multiple vendors at a book fair, you can do with ease. See you there!

In other interesting book news, the blog Upward Departure linked today to a fun graphic novel called, Bookhunter. The entire book is online and, if you’re a book nerd like me, it’s a highly entertaining read.

A while back I posted about the need for antiquarian booksellers to reach out to the next generation of collectors, who, I opined, spend much of their time reading blogs, podcasting, and surfing You Tube. I wondered aloud how I might use these technologies to reach new and potential customers. Looks like the ABAA/ILAB has beaten me to it. Today, my friend Brian Cassidy mentioned a documentary produced by the ABAA and posted on You Tube by ILAB. The entire documentary, called Bibliomania, was filmed at the San Francisco Antiquarian Book Fair put on by the ABAA in February, 2007.

As I was just beginning to learn about the antiquarian book business in 2007, I was given the opportunity to assist Mr. Z at this wonderful fair, to observe and to learn. Truly, you’ll never see a better group of books assembled under one roof than at an ABAA fair. Many booksellers and collectors were interviewed for the film.

The documentary puts a human face on antiquarian booksellers, something I think is good. Prior to really getting involved with book collecting and bookselling, I presumed (incorrectly) that all antiquarian booksellers were know-it-alls who had been selling ancient tomes since grade school and who would treat a new collector or new bookseller with condescension. Nothing could be further from the truth. Almost every bookseller I’ve met personally has been welcoming and offered help and advice as I’ve started my business. Maybe if people see that booksellers don’t bite, they’ll be more inspired to ask our advice as they build collections. Maybe, when they see how much fun we have, they’ll come to book fairs or to our shops and ask questions about how to get started collecting books.

Here’s a link to Part 1 of the documentary. There are six parts. You can see the rest at YouTube. Go to their search box and type in “Bibliomania, Part ___” (whichever number you’re seeking).

See you in the stacks! Happy Book Hunting!

Published in: on May 1, 2008 at 10:26 pm Comments (2)

Chapter 158 Book Buying Tips for Booksellers from Susan Halas, Part 2

If you missed Part 1, click here. Susan Halas of Prints Pacific Ltd. in Hawaii has generously shared her experiences buying books for resale. Hope it helps those of us who are new or who have recently become booksellers. Thanks, Susan!

Q. I am at a yard sale, garage sale, swap meet, auction, place where there’s lots of stuff and I don’t see any interesting books, what else am I looking for?

A. Boxes of old paper of any kind, pictures, photos, maps, magazines, letters, deeds, cards, valentines, train schedules, recipes, poetry, dixi cup lids, anything handwritten, anything signed, anything SMALL, anything colorful, wierd, lurid, anything that looks like it was printed in limited
numbers.

Q I see some boxes of stuff that might be interesting but I don’t have time to go through them then and there. What do I say to the seller?
A. What do you want for the whole box? If a number under $10 is named take it, no questions asked. A box of paper that is older than the 1960s will almost always have something of value in it, the investment is not in the stuff, it’s in your time to go through it.

If the number is over ten dollars say, How about $10? If they say no, ask if you can come back and help them dispose of whatever is left (almost always all of it, especially if it’s messy).

Q I’m offered a set of classics, an old encyclopedia, book of knowledge, bible study books, self improvement books, all with beautiful shiny gold leaf and gilt edge, all weighing about 100 pound each, should I buy them?

A Seldom, rare exceptions, but almost always the answer is NO (exceptions is it signed or limited, is it illustrated by a well known illustrator). Follow up question — did your father, uncle, grandma have any other books, photos, scrapbooks, do you have anything else to offer? Sellers are offering you
what they think is rare, but often have things that are really interesting they think are junk.

Q I’m looking at a bunch of old atlases and geography books, school books, what am I looking for?

A If American I’m looking for the period from the Civil War to the 1950s maps that are of particular interest to particular geographic regions. Hawaii and Alaska did not become a state until 1959, Arizona did not become a state until 1912. Many of the late 19th century atlases have particular maps that are of regional interest. The more specialized the better, look for town plans, pictures of places as the looked then, explanations that today would be politically incorrect, especially racist or sexist or indicate a point of view that has changed dramatically. Interesting pictures. Anything about the Civil War from just slightly later, anything about the West, Texas, Oklahoma, California, Pacific Northwest. Don’t pay any attention to condition. Ratty condition is ok, make an offer for the lot, don’t indicate to seller that some are more interesting than others. If it’s older geography take it all, sort it later.

Q. I don’t see that much older stuff, what could I be looking for in newer books/paper?

A Early Computers, technology, scientific advances, shifts in attitude - gay, new age, zines, comics, motorcycles, technology that bloomed then failed, scrapbooks, poetry, real photos pre digital, SMALL is good, regional stuff — back to the earth, burning man, performance art, posters especially the kind of posters that were stapled to telephone poles for readings, performances, protests, clubs, etc., cartoons, humor, small, small, small, small, small. Repeat, small is good.
————-

If you find this info interesting or useful and want to repost elsewhere
permission granted. Please credit Prints Pacific, Ltd.

Susan Halas
Prints Pacific, Ltd.
1939A Vineyard St.
Wailuku, HI, USA 96793
halas@hawaii.rr.com

(80 8) 244-7777

Published in: on April 9, 2008 at 5:06 pm Comments (0)

Chapter 157 More Buying Tips for Booksellers from Susan Halas, Part 1

From Susan Halas, who recently allowed me to repost her opinions on book buying tips for newcomers, here are a few buying tips for booksellers, particularly new ones. Susan owns Prints Pacific, Ltd. in Hawaii, and this new post is reprinted with her permission.

I appreciate Susan’s willingness to share her experiences. Contrary to the idea that sharing information with newcomers creates greater competition, I think that making sure that new booksellers have good basic information elevates the trade as a whole. Additionally, while it’s sometimes painful, competition is good for the market as a whole. So, thank you, Susan, for sharing some of your tips with us.

“Most in books for any length of time probably already know this info but for newcomers here are some questions and answers for book buying situations.

Q Does it have an ISBN number?
A If yes, probably after 1968

Q Does it have a ZIP CODE anywhere
A If yes probably after mid 1960s

Q This is a popular title by a well known author but something about the book, especially the paper looks a a little off (paper too thin). What is it?
A Probably a pirated edition from Taiwan, don’t sell too cheap, pirate editions have a market too, sometimes more than the real thing.

Q. Is it a Book Club edition?
A. Three indicatators of book club editions — no price on the dj, a little dimple (impressed mark) on the back cover near the base of the spine, physical size of the book a little smaller. You are looking at two books that look identical, the smaller one is probably book club.

Q. You are looking through hundreds of cheap paperbacks for something of value, what are you looking for?
A Size smaller, the older paperbacks were a little bit shorter than the current size, you can see it on the shelf, look for the one(s) that are shorter. Cover price — the lower the cover price the earlier the issue. Collectible artist who signed the cover — look at the art work, 40s/50spulp art has a following especially if in color and about sex, SciFi or drugs other vices. Think lurid.

Q It looks like a real photo, how can I tell if it is authentic or a later copy?
A Real photo has an emulsion (coated and kind of shinny or creamy on one side). No dots on real photo. (use your magnifying glass, if you see printing dots 99.9 per cent chance a repro, copy or even copy of a copy). Look at back, is there a stamp of a photographer, news agency, id mark? if
yes a very good sign.

Q. What can I tell by looking/feeling the paper
A: Older paper, (pre 1850s), made mostly of rags, has a cloth like feel, wears like iron, can be thick or thin, but doesn’t flake, chip, break, etc like later paper. Paper after 1850s has lots of wood pulp, makes it brittle, browns, chips, flakes, tears, more fragile. Rag paper sign of mid 19th century or earlier

Q Does size matter?
A. Yes in hard cover vintage books the earlier editions are usually larger and they get progressively smaller as they go through later editions. Two identical books from late 19th to mid 20th century, the smaller one is the later edition or the Book Club edition. Hardcover smaller is later

Just the reverse in vintage paper back books — in paperbacks two identical books — the bigger one is the later one even if price and number the same. Paperbacks Bigger is later.”

To Be Continued Tomorrow

Published in: on April 8, 2008 at 5:35 pm Comments (2)

Chapter 153 Ephemeral Items Found in Books

Books come my way. Friends and relatives who know I’m a bookseller sometimes give me old books that they just don’t want. Usually, they aren’t books I want either, but I always take a look. If the book turns out to be something I think I can sell, I offer to buy it from them. Other times, I am left to donate the abandoned book, unwanted by both me or its owner, to the library.

Recently, my mother’s friend gave her a Bible to pass on to me. It had originally belonged to another friend of a friend. No one wanted it anymore, and my mother’s friend gave her the Bible thinking I might be able to sell it. “If you can’t,” she said, “just go ahead and donate it to the library.” Bibles, printed in the hundreds of millions of copies, are not usually rare or financially valuable.

This particular Bible was printed in 1868, and as with most family Bibles of the time, had some notations and newspaper clippings inside, documenting some family history. Before putting the book in the donation pile, I read through the notations and clippings. You never know when you might find something interesting.

Newspaper clippings from the 1890s told the sad story of the original owners of this Bible:

article.jpg

There are numerous other clippings in this Bible, telling of marriages, births, deaths. Perhaps the most poignant is this next one:
page.jpg

I wonder if she is the daughter of the man who committed suicide in the article above, but because her last name is different from the man who killled himself, I don’t have enough information here to be certain.

Note the death date of 1978 at the bottom. 81 years passed from Lillian’s birth to her death — almost a century. She recorded the early part of her life, and a descendant recorded her passing from this world. This Bible may have been the bedrock of this family’s religious values, but it is also an important family chronicle, a way of preserving the voices of the heroes of ordinary life — the hard-working (or not) men, the valiant (or not) widows, the children trying (or not) to be good. Bibles aren’t a collecting focus for most book collectors, but perhaps, as vessels of family histories, they ought to be.

Published in: on April 2, 2008 at 5:43 pm Comments (2)

Chapter 152 Books for an April Fool

First, thanks to those who left comments and emailed me regarding possible ways to organize the Dante catalogue. Your ideas and feedback are much appreciated, and, in some cases, have stopped me from making mistakes. Thank you.

It’s April 1, and that means spring and a bit of foolishness are in the air here. (But, really, when is there not a bit of foolishness in the air around here?) When I went to my local historical society on a recent book hunting expedition, I found a few of the things I sought — peace and quiet, the feeling of being in a roomful of treasure while people bustle by outside oblivious to the plunder within, and a couple of good books.

Since today is April Fools Day, I have to list two of the titles I saw for sale there. I didn’t buy these, but perhaps I should have. Each probably has some kind of cult following. Instead I was distracted by a bibliography of children’s book illustrators and a 1955 book on the pathogenesis of polio inscribed by its author. I bought those instead. Still, I jotted down the titles of the two books that seemed as if they had been specifically created for just such a day as April 1. I am not making these titles up as an April Fools joke. They are 100% real. Here are the titles:

Organic Farming Under Glass

and

The Care and Feeding of Stuffed Animals

You should have seen the pictures in the second title. ;)

Happy April Fools Day!

Published in: on April 1, 2008 at 8:39 pm Comments (1)

Chapter 149 How Much Do You Pay When a Customer Offers You Books?

I’m still spending time with Tom and Huck, who are out of school this week on Easter vacation. Having kids out of school for a week means that they want to do exciting things every day, like watching the man who hammered a four-inch, steel nail into his skull, ate fire, and walked barefoot on broken glass while carrying Tom on his back. We’ve been very busy trying to top that today. I promise that next week my posting will be back to bookish business. In the meantime, Joyce Godsey, owner of sicpress.com and Bibliophile Bullpen has answered the above question.

How much should you pay when a customer offers you books?

This is an important question. The first part of the antiquarian bookselling equation is finding the best books in the best condition. The second, and equally important part of the equation is paying the best price for the book. Check out Joyce’s take on the question here.

Chapter 146 Fishing For Books, Part 2

Here’s the rest of the article I recently wrote for BookThink on scouting for and finding saleable books. Part 1 is here, in case you missed it. You might notice that some of Part 2 comes from an old blog post I did on this topic; I think the information is germane to the topic and worth repeating. Enjoy!

PART TWO
As I wandered the booths of the fair in San Francisco, I realized that if people are going to buy books from me instead of one of the other 200 sellers there, I had to do several things: offer books no one else was offering, offer books in the best possible condition, and offer books at a fair price.

First, I specialize in a field not already dominated by a dozen other booksellers and I know my specialties. I currently specialize in illustrated and unusual books by Dante Alighieri and in books written by or about American women in the 19th century, most of them pioneers. I chose my specialties primarily because these are subjects I love, and as a former high school English teacher, also studied and taught. I have better luck selling what I know and I expect to know more the more that I sell. I have taken the time to educate myself about the best books in my field. Who wrote them? What are their titles? What do they look like? Could I recognize one if it were found on the bottom of a heap of other books in a box?

I also buy /invest in bibliographies relevant to my areas of specialty. I read those repeatedly and also read other dealer catalogues on the subjects to improve my knowledge of what’s out there. That way, when I go “out there”, I know a bit about what I seek – titles, authors, editions. Additionally, I learn what characteristics will help me identify a book in the field previously unknown to me – names of significant people who wrote about Dante, artists who illustrated the Dante, or titles of books about places where pioneers settled, to give a few examples.

Secondly, I try to buy books in my subject area in the best condition I can afford. One thing I realized while looking at the books offered by other booksellers at the fair is something I had heard many times before but that didn’t register completely until I was at the fair: Condition is paramount. After seeing the books of 200 booksellers displayed right next to each other, I really understood this concept. If you are selling books at a fair with 200 dealers, chances are that someone else may be offering the same book or type of books as you. The factor that usually makes the difference in selling that book is better condition. The same is true when selling books on the internet. If a collector wants to purchase a book that has 12 copies listed for sale online, chances are he’ll buy the one in the best condition. Condition matters.

When I saw the range of books offered at the San Francisco fair, I resolved to quit buying those tempting books with a few flaws I come across every so often, like the first edition that sells for many hundreds of dollars in fine condition, but since my copy needs to have the front board re-attached, it will be worth significantly – no, exponentially — less. I don’t know why I continue to stockpile such books. I think that sometimes I become so excited to find a particular title that I don’t care about condition. If I find the title in question, I’ll buy it. Unless the book is truly rare – as in no other copies offered for sale in the last 100 years — all this leaves me with, really, is money poorly spent and books with flaws when there are plenty of fine books available. I concluded from my book fair observations that I would be better off spending my money on acquiring only a couple of fine books than I would spending my money on a dozen good books.

I also try to offer my books at a fair price, based on the current market value of the book, how much work I put into researching and describing the book, and based on making more than I paid for the book. This means that I have to acquire the books at a good price in the first place, which really means I have to be creative when hunting for books.

Where, then, to scout for saleable books?

Start with the ubiquitous estate sales and library sales. You won’t find hundreds of volumes of good material at one time, but these sales are excellent places to start. Library sales give a new bookseller a chance to see books of all editions and all conditions. It was at a library sale that I saw enough book club editions of books that I began to learn how to distinguish most of them from a real first edition. You won’t see any book club editions (at least I hope you won’t) in a true antiquarian bookshop, so it’s hard to learn if that’s the only place you shop. It was also at a library sale that I learned to differentiate condition — a good from a very good, a very good from a near fine, and a near fine from a fine book. Seeing the wide range of conditions on so many books helped me to know to know the difference. A library sale will add volumes to your education as a bookseller, if not to your bookshelves.

Don’t despair that you see a lot of dreck at most library sales (and you will see a lot of dreck). The term book hunter suggests that we must know the dross from the gold. If you are new to book collecting or bookselling, you need first to learn to recognize the dross in order to separate it from the gold. Once you attend the same sale a few months in a row, you will get pretty good at this and no longer feel like you aren’t seeing anything saleable at your library book sale. Also, if you inadvertently purchase some “mistakes”, you won’t have broken the bank to do so. When these mistakes happen to me, I chalk it up to “bookseller’s tuition”, the price I pay to learn to be a good bookseller.

When you’re confident at a library or an estate sale, start scouting your local historical society. Many of these organizations hold regular sales. Mine even has an open used book shop. I was once lucky enough to find books and ephemera donated to the historical society that have the bookplate of a prominent California historian, and that added somewhat to their already saleable value.

Another place I shop frequently is the open (and/or online) shop of my fellow booksellers. A very valuable part of my bookselling education has been to get to know other booksellers. Once you have some basic knowledge, it is worth your time to cultivate a relationship with more experienced sellers. I now know a few well enough that they’ll buy a particular book with me in mind, hoping they can sell it to me. I’ve also been able to supply a couple of booksellers whose likes and dislikes I’ve gotten to know. Sometimes they will offer me a book at a low price because it is a book outside of their own specialty and they want to get their money out of it and devote that money to another book within their specialty.

If you can’t exhibit at a book fair, attend one instead. Some of my best buys have been from other booksellers at book fairs. A book fair can offer 50 or more booksellers in one location, or in the case of San Francisco, 200 sellers. Frequently, sellers offer books at fairs that they do not offer online or in their shops. You can also occasionally find deals among booksellers looking to sell off books they acquired that aren’t a part of their specialty. They are wonderful places to scout and to meet your fellow booksellers in person.

I do go to the occasional book auction, though I don’t often find bargains there. Still, I learn a lot about what makes a book sell. It comes back to condition nearly every time. I also buy some books on ebay, but not unless I know a lot about the book I’m about to purchase. There’s nothing worse than a seller purporting to have a first edition and then seeing the actual book and finding out it’s a book club edition. Better to know the points of issue ahead of time and figure out for yourself if the book is actually a first. I’m wary of signed books sold on ebay, too. It’s just too hard to determine authenticity in most situations. Still, when you know what you want and you’ve done your homework, you can find interesting books there.

Purchasing an entire estate of books may also lead to some good finds, but, if like, me you are a new bookseller, take care to research how to evaluate and negotiate such a deal. I’ve purchased such an estate once before and it was a good experience for me and for the seller, but I asked the advice of more experienced booksellers as to the protocol of housecalls before I agreed to look at the customer’s books.

Finally, read Larry McMurtry’s entertaining novel, Cadillac Jack. It’s a fun read and is a great portrayal of the mindsets of collectors and sellers, even though the characters in the book are neither booksellers nor book collectors. The narrator, Cadillac Jack, repeats a mantra when he is looking to buy items he can resell later: “Anything can be anywhere.” I have discovered that, more important than where one hunts for books, is the attitude with which one hunts for books. I have had some of my best book finds when shopping while employing Cadillac Jack’s “anything can be anywhere” motto. When you find a saleable book, the main thing is to pay attention to how your own knowledge will help you sell this book, to condition, and to the price you pay for the book.

Published in: on March 24, 2008 at 5:42 pm Comments (0)

Chapter 145 Gone Fishing . . . for Books

Please accept my apologies for not blogging Friday. Huck was a bit under the weather, though he seems all better now. We spent the weekend coloring Easter Eggs and trying to finish painting the stripes on one wall in a bedroom. I must confess that, despite our bold plan, the painting is not going well. Though we meticulously taped off the areas to be painted in the striped colors, the paint bled under the tape and the edges of each stripe are smudged. We are still deciding the best way to remedy the situation. I could be disappointed. Instead, I choose to believe that it is confirmation that I am intended to be an antiquarian bookseller instead of a housepainter.

stripes.jpg
What was I thinking?

smudge.jpg
These smudges have to be fixed!

Tom and Huck have this week off of school, so blogging will be light as we fit in a few fun activities. I’ll resume my normal pace once they resume their normal schedules. Thanks for understanding.

baskethead.jpg
Tom and Huck with Easter Baskets on their heads, getting into a bit of Easter mischief despite my best efforts to make them wear “dress up clothes” today.

Meanwhile, here is Part 1 of my most recent BookThink article. In an effort to break the reading into manageable chunks, I’ll post Part 2 tomorrow.

BECOMING AN ANTIQUARIAN BOOKSELLER:
SCOUTING AND FINDING SALEABLE BOOKS
By Chris Lowenstein

I recently exhibited at the San Francisco Antiquarian Book, Print, and Paper Fair. It’s a large fair with over 200 booksellers showing off and selling their best books and ephemera. Someone new to book collecting and bookselling might wonder where these sellers find their inventory — most of it varied, interesting, and in great condition. Though the ability to market and sell your books is key to succeeding as an antiquarian bookseller, perhaps more important is the ability to find good books. Scratch that. Good books are everywhere. What’s most important is honing your ability to recognize and acquire the best books in the best condition at the best price. This is an infinitely more challenging task, and one of the most exciting parts of the job of an antiquarian bookseller.

A new bookseller might ask, “How do you know when you’ve found a saleable book?” The simplicity of the question belies the complexity of its answer. Author, illustrator, title, subject, edition, condition, binding — all these things and less have attracted me to the books I’ve acquired and later sold. Sometimes I buy a book because it’s the first edition by a well-known author. Sometimes I buy a book because it is the first written account of a significant historical event, or because it offers a different perspective than most of the other accounts of an historical event. Perhaps it’s a much-loved illustrator or a beautiful binding that attracts me, content notwithstanding. Perhaps it’s a book completely outside of my field of specialty, but it’s in fine condition.

Just as it’s difficult to pin down the definitive characteristics of an antiquarian bookseller, it’s difficult to pin down what kind of book is best for an antiquarian bookseller to sell. Like true beauty — or dare I say –pornography, I just know a saleable book when I see it, and based on my knowledge of a particular author, genre, or subject, its value is sometimes in the eye of the beholder. Perhaps the best strategy a new bookseller can take is to learn what knowledge we need to recognize books that we can sell.

To be continued tomorrow . ..

See you in the stacks!

Published in: on March 23, 2008 at 11:19 pm Comments (1)